You knew Loane. She is now called LOANE COSTE, after her mother. In addition to the strength of the maternal transmission claimed, this change echoes the tones of "L'air de la nuit," her fourth album, a synthesis of the first part of her life. Nourished by her experience in music, deeply marked by the spirit of the times, "L'air de la nuit" offers itself as her most personal opus, the most emotionally charged, wrapped in the synthetic framework she had always dreamed of. This bold choice in French song came to fruition thanks to her collaboration with Belgian producer Joachim Gorrebeeck, aka TASKA BLACK. With this fourth chapter, LOANE honors the French pop tradition which, from CHRISTOPHE to MALIK DJOUDI, from FLAVIEN BERGER to MOHINI GEISWEILLER, dares to look modernity straight in the eye, with empathy and kindness as a complement, sometimes hard on itself, always gentle with others. A dark work of introspective feminine and feminist song, lucid and sincere, which captivates with its often contemplative, even dreamlike electro production, which is organic, earthy, aerial, liquid or mineral.
