Since my early days in film music, I've been able to work on a wide variety of audiovisual projects. Whether it's the feature film Cherry (directed by Sophie Galibert, Tribeca 2022 award winner), the short film Phosphore (directed by Antoine Devulder, La Fémis), or the documentary Wild Beauty and the series Astrid et Raphaëlle (additional music), these very different projects have taken me to diametrically opposed worlds and enriched me both filmically and musically.
Film music was a trigger for me when I put together the things I cared about most.
passionate about cinema and a music creator, I've always associated images, stories and
images, stories and dreams to the music I heard, played or wrote.
or write. Although my first steps in composition were strongly influenced by orchestral music
orchestral music, I now like to mix it with more electronic instrumentations and
electronic instrumentations and vocal landscapes. My stints in different musical spheres (classical, rock, popular) have given me the urge to constantly renew myself and experiment with new ways of thinking and writing music.
Since my master's degree in musicology at the Sorbonne in 2017 and my master's degree in film music composition at Berklee College of Music in 2018, I've composed music for more than twenty audiovisual projects, and I never tire of exploring my creativity across different styles and genres of film and music.
I've built up my experience working for other composers on numerous projects: TV series with Erwann Kermorvant and Stéphane Le Gouvello, feature films with Anne-Sophie Versnaeyen and Julie Roué, documentaries with Guillaume Roussel and Armand Amar.