Avant-garde, emotional, innovative: DeLaurentis's music is as electronic as it is orchestral, and his voice is the main character in his sound films.
Her voice is sublimated by the machines she tames according to her inspirations; her digital partners, including Ableton's Push, Embodme's Erae and IRCAM's Virtual Choir, are an extension of her body and vocal chords.
Thanks to a practice marked by her conservatory studies and empirical explorations of new technologies, DeLaurentis, aptly named "l'électronicienne", directs and orchestrates her sonic laboratory. Each EP and album is a different portrait of her psyche, blurring the fine line between human beings and technology.
Her ability to compose feelings quickly became her primary strength; DeLaurentis followed in the footsteps of Laurie Anderson and Eliane Radigue, those pioneers of electronic music who laid the foundations for her own, accompanied on her path by key players in artificial intelligence such as Sony CSL and IRCAM, enabling her creativity to know no bounds.
An ambassador for French Tech, she regularly performs at NAMM in Los Angeles and gained international attention when her track "A Big Part Of A Big Sun" was featured in the American Netflix series "How To Get Away With Murder" in 2018.
She then went on to collaborate with Issey Miyake on the soundtrack for the SS20 fashion show, with EDF on its new sound identity in 2021, and co-producing Isabelle Adjani's "Bande Sonore" album in 2023.
Between now and the end of the year, DeLaurentis is preparing to unveil another fundamental part of her personality, one that determines her perception of the world: her synesthesia.
For DeLaurentis is a synaesthete: each sound naturally and spontaneously evokes colors and shapes, which she interprets on her futuristic instruments like a painter's color palette. Mastering this new electronic lutherie becomes a musical language and a means of visual expression in its own right.
She will present her next album MUSICALISM, named after a French pictorial movement of the 30s, in a 360° immersive live experience at the end of 2024/beginning of 2025; a creation in partnership with Radio France, La Générale de Production and Hervé Déjardin, the great master of spatialization (Jean Michel Jarre, Molécule, Irène Dresel...).
