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Artist mobility and ecological transition: should success be banned?

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MaMA Debate

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What are the symbolic markers that today determine an artist's level of notoriety: the number of people in attendance, the size of the venues, the number of dates played? If the mobility of audiences is in the spotlight, so too is that of artists. Tours with improbable routing, the use of airplanes for a date on the other side of the world or to tour three countries in one weekend, pyrotechnic effects, the movement of ever-increasing scenography... How can these practices be sustainable? Is success compatible with sobriety, and vice versa? How can we "make a career" in a world at +4°C? Is another vision of success possible?

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