At Pamela, spontaneity is the key. Together, Samuel Sprent and Simon Quénéa offer instinctive music that only needed a few sessions to find its cruising speed. One day in the studio? A song behind, already ready to explode.
Accompanied by Pierre Cheguillaume in the studio — a Nantes producer who brings a subtlety to the productions and intervenes on Pamela in the manner of a Rick Rubin —, the duo offers a meeting between LCD Soundsystem, The Cure, Joy Division, The Strokes. Arctic Monkeys, Soulwax or Damon Albarn.
A band with catchy choruses, strong melodies, often looped, a dance music that incorporates intentions from indie rock, pop, Britpop, electronic music, and song. And in English, always, since it is Sam's native language, but also the preferred language of a band that finds its full measure live. In addition to the release of the first tracks this fall, Pamela will also be supporting Zaho de Sagazan in the coming months, before hitting the road to MAMA in Paris and the Transmusicales in Rennes.
